Pete & Band |
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In a diverse music career spanning several decades,
keyboardist/arranger Pete Levin
has
performed and recorded with hundreds of Jazz and Pop
artists - including Paul Simon, Annie Lennox, Miles
Davis, David Sanborn, Lenny White, Wayne Shorter, Jaco
Pastorius, Robbie Robertson and John Scofield -
receiving critical accolades for his work during a 15
year association with the legendary Gil Evans, and his 8
year stint with jazz icon Jimmy Giuffre.
Since
the 70s, Pete has been part of New York's jazz, pop, and
electronic music scene. In 1974 he got a call to play
French horn with legendary jazz arranger Gil Evans, and
Gil made him a regular. As an experiment, Pete brought a
Moog synthesizer to an Evans gig. Gil loved it and
Pete's role was permanently changed, beginning the
transformation of the band into the electronic/acoustic
hybrid sound that won 2 Grammy awards. Among the first
to explore synthesizers during the 70s, Pete became a
sought-after sideman for studio and live gigs. As an
arranger and musician he worked on dozens of film
scores, hundreds of jazz and pop records, and countless
TV and radio commercials. Over the years, interspersed
with Gil Evans, Paul Simon, Annie Lennox and Jimmy
Giuffre tours, Pete has done arranging and electronic
music for feature films including MISSING IN ACTION,
THE COLOR OF MONEY and STAR TREK. He composed the
orchestral score for the independent film ZELIMO,
composed an original music score for a stage production
of THE DYBBUK, did the official band/chorus arrangement
of the U.S. Infantry song and composed the anthem for
the 1992 United Nations Earth Summit, performing it in
the U.N. General Assembly. But his favorite
collaboration was “THE CLAMS” with his brother, bassist
Tony Levin and drummer Steve Gadd, a Spike Jones tribute
band that produced the top-40 hit single "CLOSE TO YOU"
that’s now a cult classic.
In
1989 Pete released his first solo jazz album, "PARTY IN
THE BASEMENT", for Gramavision Records. This was
followed by "SOLITARY MAN", two unique jazz Christmas
CDs with drummer Danny Gottlieb, and through the 90s, a
series of electronic music albums for Alternate Mode
Reords. In 2006, Pete revisited his first love, the
Hammond Organ, releasing 5 organ trio albums, beginning
with "DEACON BLUES" for Motema, and culminating with
“JUMP!” in 2010. In 2017, Pete recorded “MöBIUS,” a
self-released album in coordination with IYouWe Records,
bringing together a 7-piece all-star band.
In
addition to touring with the Levin Brothers, a jazz
quartet co-led by bassist Tony Levin, the MöBIUS band
will begin touring in late 2017.
Between 1964
and 2017, Pete has recorded and/or performed live with
artists and ensembles including …
Michael Allman, Aztec
Two Step, Joe Beck, Jeff Berlin, Marc Black, Terrance
Blanchard, Carla Bley, Blood Sweat & Tears, Broadside
Brass Bed Band, Brubeck Brothers Quartet, Hiram Bullock,
Butterfield Blues Band, Donald Byrd, Don Byron, Jay
Chattaway, Tommy Chong, The Clams, John Clark, Jimmy
Cobb, Judy Collins, Commander Cody, Gene Cornish, Albert
Cummings, David Darling, Kal David, Bettye Davis, Miles
Davis, Robbie Dupree, Don Elliott, Gil Evans, Fania
All-Stars, Rachelle Farelle, Bryan Ferry, Letizia Gambi,
Jimmy Giuffre, Leila Gobi, Government Mule, Gregory
Hines, Freddie Hubbard, Kathy Ingraham, Howard Johnson,
Thad Jones/Mel Lewis Band, Mamadou Kelly, Annie Lennox,
Tony Levin, Levin Brothers, Rod MacDonald, Al MacDowell,
Mike Mainieri, Melissa Manchester, Chuck Mangione, Liza
Minnelli, Charles Mingus, Gerry Mulligan, Ola Onabule,
Rob Paparozzi, Jaco Pastorius, Simon Phillips, Lorenza
Ponce, Genya Ravan, Nicki Richards, Robbie Robertson,
Teri Roiger, Ali Ryerson, David Sanborn, John Scofield,
Wayne Shorter, Carly Simon, Paul Simon, Lew Soloff,
Vaneese Thomas, John Tropea, Joe Lynn Turner, Michal
Urbaniak, Jimmy Vivino, Joe Louis Walker, Jim Weider,
Peter Welker, Lenny White & Vanessa Williams
http://www.petelevin.com
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Saxophonist
Alex Foster has been a part of many
of the world’s most influential
sounds to date. Best known in recent
years for his work as the alto
saxophonist in the house band of
Saturday Night Live, he has also
shared the stage with numerous
world-class performers in varying
genres. Alex is the musical director
of the Mingus Big Band, Orchestra,
and Dynasty and is currently
completing his latest solo album.
He
has been heard on recordings and has
performed alongside greats such as
Jaco Pastorius, Herbie Hancock,
Clark Terry, Jack DeJohnette, McCoy
Tyner, Miles Davis, Tom Harrell,
Freddie Hubbard, Nat and Cannonball
Adderley, Rahsaan Roland Kirk, Gil
Evans, Dizzy Gillespie, John
Scofield, Charles Mingus, Elvin
Jones, Thad Jones, Hank Jones, Tito
Puente, Michael Brecker and Duke
Ellington. In the pop rock music
scene he has recorded and/or
performed with Arethra Franklin,
Stevie Wonder, Dr. John, Paul Simon,
Elton John, Paul McCartney,
Aerosmith, Eddie Van Halen, Diana
Ross, the Village People, Sister
Sledge and Al Green. His versatility
as an artist is not only present in
the jazz and pop music scene, but is
also prominent in the classical
realm as well, performing with the
Royal Philharmonic Orchestra, the
Oakland Symphony, the San Francisco
Symphony and the National Symphony.
http://www.alexfostermusic.com/ |
Trumpeter
Chris Pasin’s career goes from his study at New England
Conservatory, to touring with a variety of artists, to
the upper Hudson Valley music and recording scene, where
he currently resides. After working with George
Russell's New York band, he spent several years in the
jazz trumpet chair with the Buddy Rich band, touring the
US, and the world. Performances with Frank Sinatra, Tony
Bennett, Mel Torme, Sarah Vaughn, Nancy Wilson, and Ray
Charles also took place during this period. A decade in
New York City included five years playing with the
Toshiko Akiyoshi / Lew Tabackin band, Brother Jack
McDuff, several major salsa bands, and a host of New
York – based musicians. This culminated in Chris’s first
CD “Detour Ahead” with Steve Slagle, Benny Green, Rufus
Reid, and Dannie Richmond in 1987.
Chris continues to write music and generate a range of
musical projects, from his last CD “Random Acts of
Kindness” to the recent band “Ornettiquette,” featuring
music of and inspired by Ornette Coleman and Don Cherry.
He’s been a member of Lee Shaw’s quintet, the popular
all-star band Reelin’ in the Years, curated a successful
weekly jazz performance series. Chris is an in-demand
studio trumpet player, working regularly with a host of
artists encompassing a range of genres. Soon he'll
release his new holiday album, "Baby, it's Cold
Outside."
http://chrispasin.com |
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Contemporary
Jazz Guitarist Jeff Ciampa has recorded and toured with
some of the most demanding practitioners, including
Harry Belafonte, Jon Lucien, Dave Matthews, Mark Egan,
Bill Evans, Al MacDowell, Ornette Coleman and Lew Soloff . His fluid
melodic style, steeped in the jazz tradition, continues
to inspire fellow musicians and listeners worldwide.
Jeff studied at
the esteemed Berklee School of Music in Boston under the
tutelage of guitarist extraordinaire, Pat Metheny. Several years later, he found
himself fronting a trio with the sidemen who
accompanied Metheny on many of his seminal
recordings, bassist Mark Egan and drummer Danny
Gottlieb. Later, Jeff found himself touring with Caribbean icon,
singer/actor Harry Belafonte and subsequently with
popular jazz vocalist, Jon Lucien. After a lengthy stint
with Belafonte and Lucien, Jeff befriended long
time Ornette Coleman bassist Al McDowell, with whom he
recorded three critically acclaimed sessions for Gramavision Records.
Jeff has recorded two solo albums on
the Wavetone label, Signs of Life and House of
Mirrors, featuring Mark Egan and Danny Gottlieb. The
popular trio has performed at major jazz festivals, including
the JVC in New York City, the Newport Jazz Festival in
Rhode Island, the St. Lucia Jazz Festival, and the St. Kitt’s Jazz Festival.
http://www.jeffciampa.com |
Tony Levin
is an American musician and composer, specializing in
electric bass, Chapman Stick and upright bass. Levin is
best known for his work with progressive rock pioneers
King Crimson and Peter Gabriel. He was also a member of
instrumental-prog rock/jazz fusion group Liquid Tension
Experiment; the King Crimson-related bands Bruford Levin
Upper Extremities, ProjeKct One and ProjeKct Four; and
currently leads his own band, Stick Men, and co-leads a
jazz quartet with his brother Pete, The Levin Brothers.
A prolific session musician since the 1970s, Levin has
played on 500 albums, including those of Cher, Asia,
Alice Cooper, John Lennon,[2] Sarah McLachlan, Stevie
Nicks, Pink Floyd, Paul Simon, Dire Straits, Lou Reed,
David Bowie, Tom Waits, Buddy Rich, The Roches, Todd
Rundgren, Seal, Anderson Bruford Wakeman Howe, Warren
Zevon, Kevin Parent, Laurie Anderson, Kate & Anna
McGarrigle, Gibonni, and Jean-Pierre Ferland.
Additionally, he has toured with artists including Paul
Simon (with whom Levin appeared in Simon's 1980 film
One-Trick Pony), Gary Burton, James Taylor, Herbie Mann,
Judy Collins, Carly Simon, Peter Frampton, Tim Finn,
Richie Sambora, Ivano Fossati and Claudio Baglioni.
Levin helped to popularize the Chapman Stick and the NS
upright bass. In 2011, Levin ranked second (behind John
Paul Jones) in The "20 Most Underrated Bass Guitarists"
in Paste magazine
http://www.tonylevin.com |
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One of the great
innovators of the modern drum set, Lenny White's sonic
fingerprints are all over modern jazz and funk. Not many
drummers can claim a first gig with Jackie McLean and a Top
10 R&B hit ten years later. The soulful edge and innovative
approach he brought to Miles Davis' classic Bitches Brew and
Chick Corea's Return to Forever defined the sound of fusion;
his influence has only grown since then, producing for stars
like Chaka Khan and Nancy Wilson and earning a reputation as
one of the most respected bandleaders and producers in any
genre. Best known as the drummer in the recently reunited
Return To Forever, Lenny White is much more. Along with
fellow drummers Tony Williams and Billy Cobham, Lenny is
rightly considered one of the founding fathers of Fusion
Jazz. Distinguishing himself even more, Lenny moved on to
lead bands and projects that covered the entire musical
spectrum. As with many drummers, Lenny White's career is
often overshadowed by the artist/leaders of the bands of
which he is a part, but as did Art Blakey, Tony Williams,
and Billy Cobham, Lenny has also made important
contributions as a skilled composer and arranger who has led
a number of his own bands. He has written and produced more
than 20 albums of his own.
http://www.lennywhite.com/ |
Brazilian Best Male Performer in the United States by
Brazilian Press Award. Singer, percussionist,
song-writer and Bahia native Nanny Assis, is a hard
talent to define. He started his career as a drummer and
percussionist, but has developed into a brilliant
multiform musician. His evolution as an artist has
revealed him to also be an awesome singer and composer.
Singer, drummer, percussionist, song-writer and Bahia
native Nanny Assis, has played with such artists as
Vinicius Cantauria, Eumeir Deodato. He is a master of
Brazilian Jazz, Afro-Brazilian music and other popular
and folkloric sounds from his homeland.
Nanny has performed in venues such as Palais
Montcalm Quebec City, B.B.King, Blue Note NYC, Bimhuis
Amsterdan, Jazz Standard, Birdland, Joe's Pub, Vortex
Jazz Club London, Sunset Paris, Regattabar, Dakota Jazz
Club, London's BBC, Queen Elizabeth Hall London, Blue
Note in Milan, Rome Festival, Newport Jazz Festival,
Fregey Theatre in Belgium, TCA in Brazil, and Chiasso
Festival in Switzerland.
http://www.nannyassis.com/ |
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The son of
a Swedish Mother and an American artist, Ira
was born in Stockholm, Sweden and grew up in
Southern France and Cologne Germany.
He moved to the U.S. to attend Berklee
College of Music. From there, his resumé
tells the story. Over the years, Ira has
worked with such well-known figures as Cab
Calloway, Tony Williams, Freddie Hubbard,
Betty Carter, Branford Marsalis, Herbie
Hancock, Wayne Shorter, Pharoah Sanders,
Billy Cobham, Nat Adderly, Jessye Norman,
Plácido Domingo and Sting. He was musical
director for vocalist Dee Dee Bridgewater
and toured with her internationally from
2002 until 2009.
One night he’s on the stage at Carnegie Hall
playing in a tribute to African-American
culture. The next morning he is on a plane
to Europe to collaborate on a recording or
heading to Japan for a jazz festival. As
comfortable playing Jamaican rhythms as he
is accompanying a gospel choir or performing
in a Jazz trio, this professional bass
player has built an international reputation
for versatility.
http://http://www.iracoleman.com/ |
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Between 1964 and 2017 Pete has recorded and/or
performed live with artists & groups, including
... |
Gary
Anderson, Michael Allman, Ron Aprea, Nikki
Armstrong, Jennifer Aylmer, Aztec
Two Step, Larry Baeder, Rene Bailey, Dave Bargeron, Joe Beck, Jeff Berlin, Pat Bianco, Marc Black, Terrance Blanchard, Carla Bley, Rosalinde Block, Blood Sweat & Tears,
The Blues Farm, GI Blythe, Boston Symphony Orchestra, Dean Bowman, Beki Brindle, Broadside
Brass Bed Band, Hugh Brodie, Brubeck Brothers Quartet, Hiram Bullock,
Butterfield Blues Band, Donald Byrd, Don Byron, Rennie Cantine, Rondi Charleston,
Hillary Chase, Jay Chattaway, Tommy Chong, Jeff Ciampa, The City Boys
All-Stars, The Clams, John Clark,
Jay Clayton, Jimmy
Cobb, D.A. Cole, Judy Collins, Willie Colon, Commander Cody, Gene Cornish, Murali Coryell, Cray & Dempsey,
Albert Cummings, David Darling, Kal David, Betty Davis, Miles
Davis, Andrea Dawn, Debbie Deane, Mike DeMicco, Angela Deniro, Kenwood Dennard,
Jacque DeShetler, Danny Draher, Robbie Dupree, Bill Edwards, Mark Egan, Don Elliott, Doug Elliott,
Ryan Endris, Jimmy
Eppard, Joey Eppard, Eric Erickson, Gil Evans, Miles Evans, Fania
All-Stars, Rachelle Farelle, Five Satins, 52nd Street, Bryan Ferry, Matt
Finck, Alex
Foster, Peter Furlan, Letizia Gambi, Chrissy Gardner, Don Gardner, Jimmy Giuffre,
Leila Gobi, Danny Gottlieb, Government Mule, Sarah Greene,
Janice Hardgrove, Nicole Hart, Richie
Hart, Jonas Helborg, Joan Henry, Kurt Henry, Deborah Henson-Conant, Jana Herzen, Gregory Hines,
Erin Hobson, Clint Holmes,
Nick Holmes, Helen Hooke, Lillie Howard, Freddie Hubbard, Nick Humez, Chris Hunter,
Kathy Ingraham, Howard Johnson,
Meg Johnson, Thad
Jones/Mel Lewis Band, Raven Kane, Toshihiko Kankawa, Randy Kaye, Mamadou
Kelly, Roman Klun, Charlie Kniceley, La La, Wayne Lammers,
Arnie Lawrence, Erik Lawrence, Annie Lennox,
Ray LeVier, Tony Levin, Levin Brothers, PJ Lorenz, Ken Lovelett, Charles Lyonhart, Betty MacDonald, Rod MacDonald, Al MacDowell, Machan,
Peter Mack, Mike Mainieri, David Malachowski, Tom Malone, Melissa Manchester,
Chuck Mangione, Gap Mangione, Manhattan Project, Lou Marini, Keith
Marks, Janet Marlowe, Lee Marvin, Cynthia McCorkindale, Bucky Milam, Liza Minnelli, Charles Mingus, Chris Mitchell,
Tommy Mitchell, Monday Night Band, Sam Morrison, Gerry Mulligan, Amina Claudine Myers, Bob Nieske, Olivia
Newton-John, New York Mary, New York Philharmonic Orchestra, Alwin
Nikolais, Odd Couple
Quintet, Eileen O'Hare, Shunzo
Ohno, Ola Onabule, Ted Orr & Blue Food, Jeff Oster, Rob Paparozzi, Jon Paris, Gil Parris, Vincent Pasternak, Jaco Pastorius,
Pamela Pentony, Roxy Perry,
Eric Person, Scott Petito, Vito Petroccitto, Simon Phillips,
Pieces Of A Dream, Monika Piotrowska, Lorenza Ponce, Kitt Potter, Jim
Pugh/Dave Taylor, Tony Purrone, Python Soup, Genya Ravan, Baron Raymonde, Billy Reed, Athena
Reich, The Retro Rockets, Nicki Richards, Amy Rogell, Robbie
Robertson, Teri Roiger, Jonny Rosch, Andy Rothstein, Katrin Roush, Steve Rowell, Raphael Rudd, Bobby Rydell, Ali Ryerson,
Emily Saaen, Salt 'N Pepa, David
Sanborn, Dario Saraceno, Ellie Sarty, Steve Satten, Sari Schorr, Steve Schultz, John Scofield, Mark Sganga, Marlene Shaw, Wayne Shorter,
Siegel/Syracuse Duo, Carly Simon, Paul
Simon, Marilyn Sokol, Lew Soloff, Melvyn Sparks, Spirited, Straight Ahead, Roseann
Sureda, Gani
Tamir, Peter Thomakos, Vaneese Thomas, Artie Traum, Happy Traum, John Tropea, Barbara Truex, Elijah Tucker, Joe Lynn Turner, Uncle Funk, Michal Urbaniak,
Michael Veitch, Jimmy Vivino, Lou
Volpe, Filippo Voltaggio, Voyceboxing, Joe Louis Walker, Corbett Wall,
Lynette Washington, Ernie Watts, Jim Weider, Peter Welker, Westchester
All-Stars, Wet Paint, Lenny White, White Flag,
Vanessa Williams, Curtis Winchester, Deborah Winters, Woodstock All-Stars, Gary Wofsey, Chris Zaloom,
Ling Zhang, Zuice |
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ARTIST |
YEAR |
RECORDING |
Pete Levin |
2017 |
MöBIUS |
|
2013 |
PETE LEVIN BAND: LIVE AT THE IRIDIUM (Iridium Live 008) |
|
2010 |
JUMP! (Pete Levin Music PLM1010b) |
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2009 |
PETE LEVIN TRIO: LIVE IN FOGGIA (Pete Levin Music PLM009) |
|
2008 |
CERTIFIED ORGANIC (Pete Levin Music PLM008) |
|
2007 |
DEACON BLUES (Motéma) |
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2006 |
ICARUS (Pete Levin Music PLM006) |
|
2002 |
RHYTHM OF THE SPIRIT (Alternate Mode JP10047) |
|
2001 |
MASTERS IN THIS HALL 2001 (Pete Levin Music PLM2001) |
|
2001 |
ZELIMO SOUNDTRACK ALBUM (Pete Levin Music PLM2001z) |
|
2000 |
CRYSTALS (Alternate Mode JP10033) |
|
1998 |
HARMONY (Alternate Mode JP10015) |
|
1996 |
MUSIC FOR THE DYBBUK (Pete Levin Music PLM170)
1974/1996 |
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1991 |
A
SOLITARY MAN (Gramavision R2-79457) |
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1990 |
MASTERS IN THIS HALL: New Age Of Christmas II (Gramavision) |
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1989 |
PARTY IN THE BASEMENT (Gramavision R2-79456) |
Pete Levin &
The Monday Night Band |
2017 |
LIVE AT THE CUTTING ROOM |
Pete Levin & Tony Levin |
2017 |
CHRISTMAS FOR WOUNDED VETERANS 6 (Bill Edwards) |
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2014 |
THE
LEVIN BROTHERS (Lazy Bones) |
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1976 |
THE CLAMS: "CLOSE TO YOU" (CTI) |
Pete Levin & Ali Ryerson |
2013 |
MEDITATIONS 2013: EXPLORATIONS (PLM2013) |
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2001 |
MEDITATIONS (Alternate Mode JP10038) |
Pete Levin & Danny Gottlieb |
1989 |
THE
NEW AGE OF CHRISTMAS (Atlantic 7-82054-2) |
Pete Levin & Wayne Lammers |
2004 |
GOP
PARTY MONSTERS (Para 2001) |
Pete Levin & Bill Comeau |
1974 |
LITTLE DEAD SURFER GIRL (Poison Ring PRR-717) (single) |
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1973 |
GRIZZLY BEAR HUNT (Poison Ring) |
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1972 |
SOME BEAUTIFUL DAY (Avante Garde) |
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(Just the last 3 years - it goes back way farther than
this.) |
ARTIST |
YEAR |
RECORDING |
Rene Bailey |
2017 |
GOOD OLD SONGS |
Ryan Endris
& Collegium Mundi Novi |
2017 |
ANTONIO JUANAS: SELECTED CHORAL WORKS (Centaur) |
The Levin Brothers |
2017 |
CHRISTMAS FOR WOUNDED VETERANS 6 (Bill Edwards) |
Pete Rose |
2017 |
NOT
MY PRESIDENT |
Ken Lovelett & Weather Station |
2017 |
C
STORM |
Kurt Henry |
2017 |
FLAMING JUNE |
D. A. Cole |
2017 |
COMING HOME TO COUNTRY |
Kathy Ingraham |
2017 |
COOL NIGHT (Pierdon) |
Mark Egan |
2017 |
DADE ... IN THE SHADE 2 (Wavetone) |
Teri Roiger |
2016 |
IT'S ALL OVER NOW, BABY BLUE (Dot Time Records) |
Miles & Noah Evans Project |
2016 |
THE
MEANING OF THE BLUES |
Gene Cornish |
2016 |
SANTA, YOU'RE THE MAN (video) |
Bill Edwards
&
Westchester All-Stars |
2016 |
CHRISTMAS FOR WOUNDED VETERANS 5 (Bill Edwards) |
Vaneese Thomas |
2016 |
THIS IS JESUS |
Roseann Sureda |
2016 |
IT'S CALLED LOVE |
Hillary Chase |
2016 |
FIND MY WAY |
Beki Brindle |
2016 |
ALL
KINDS OF BEKI (Random Chance) |
Chrissy Gardner |
2016 |
WAXWING |
Spirited: Joan Henry |
2016 |
UPRISING |
Letizia Gambi |
2016 |
BLUE MONDAY |
Henry Romatowsky |
2016 |
20-20 |
Ling Zhang |
2015 |
BIG
CITY BLUES |
Steve Rowell |
2015 |
ROB
THAT STAGE |
Kathy Ingraham |
2015 |
ELECTRIC GRAPES |
Nick Holmes |
2015 |
SONAR |
Vincent Pasternack |
2015 |
BARCELONA NOTEBOOK |
Mamadou Kelly |
2015 |
DJAMILA (Clermont Music) |
Ken
Lovelett |
2015 |
WHALEDANCE (Sonart) |
Marc Black |
2015 |
SING FOR THE
SILENCED |
Kathy Ingraham |
2015 |
WE
THREE KINGS OF COOL |
Beki Brindle |
2015 |
YOUNG WOMAN'S BLUES |
Bill Edwards
&
Westchester All-Stars |
2015 |
CHRISTMAS FOR WOUNDED VETERANS 4 (Bill Edwards) |
Mamadou Kelly |
2015 |
BAUDI (Clermont Music) |
John
Clark |
2015 |
THE
ODD COUPLE QUINTET + 1 (Composers Concordance) |
Michael Veitch |
2015 |
THE VEITCH BOYS |
Marc Black |
2015 |
FRIDAY THE 13TH: LIVE AT
BEARSVILLE THEATER |
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Möbius Reviews |
Music
From The Other Side Of The Room
Zachary Nathanson
Saturday, September 30, 2017 |
Pete Levin -
Möbius
Pete Levin has been around performing
and recording music along as a
sought-after musician by recording both
in the Jazz and Pop world from Paul
Simon, The Brubeck Brothers, Jaco
Pastorius, Charles Mingus, Annie Lennox,
Judy Collins, and the late great Miles
Davis. This year, he’s released his
ninth studio album entitled, Möbius. The
album was recorded live in the studio
for two days as Pete captures the spirit
and essence of Gil Evans.
Now I first became aware of Pete Levin
after he and his younger brother Tony
did the Levin Brothers album which was
released three years ago on the Lazy
Bones Recordings label and I was
completely blown away how much the two
brothers work well together not just as
band members, but as a family by working
one-on-one. Now with Möbius, Pete wrote
eight original compositions and there
are two covers which include one by
Thelonious Monk and Tony Williams.
Not only Pete and Tony Levin are on the
album, but it’s almost the who’s who
that are on the album. You have
guitarists Jeff Ciampa an Kal David
(John Mayall), drummers Lenny White
(Chick Corea) and Jerry Marotta (Peter
Gabriel, Hall & Oates, and Security
Project), Erik Lawrence on Baritone Sax,
Alex Foster on Tenor & Sorpano Sax, and
Chris Pasin on Trumpet to name a few.
What Pete does on here, is to take his
keyboards into unbelievable territories.
Levin’s music is like walking on a
different triangular section of the
Rubik’s cube and it’s almost a trip to
see where he, Tony and his band members
go into those various sections of the
doors that are ready to be opened with
six highlights on here that are enduring
and mind-blowing.
The opener, Promises begins with the
Electric Piano going into a stereophonic
mode going left and right then getting
into the styles of Herbie Hancock’s
Headhunters-era meets Steely Dan’s Aja-era.
The horn and sax section go into a
workout mode plus some funk-rock rhythm
guitars while Tony Levin channels a
different perspective of the riff on
Chameleon.
Pete then goes into the Rhodes city
laying down some improvisational sun
rising textures that makes it an
excellent piece to start things off.
Before the take of Monk’s I Mean You,
Pete wishes Thelonious a happy 100th
birthday and gives him his regard and
saying “Hi!” to Gil for him. There is
this walking dance mid-beat tempo
between the Clavinet and the Electric
Keyboard before the Horns and Guitar do
a melody that rises up and down.
Tony then walks fast as the sax’s do a
solo improvisation to give Monk the
appreciation he deserves. When you
listen to I’m Falling, at first you
think it sounds like a film score that
this almost a nod to the golden-era of
the 1970s Blaxploitation films as you
can imagine Richard “Shaft” Roundtree
walking into the next building and
following the crime scene for the next
batch of clues which he would consider
his last case before retiring.
But then, the mood changes into a
lukewarm evening for the sax going into
a pin-drop momentum as Pasin’s trumpet
sets the blare by giving a Miles-sque
surrounding in the nighttime sky before
dawn approaches. Then, the 10-minute
title track starts with the synth notes
going up and down the stairs.
Tony brings his upright bass and gives
Pete a helping hand. The Rhodes, Sax,
and Trumpet along with the guitars going
into some essence of Allan Holdsworth
and Richard Pinhas’ exercise.
Instruments do a thunderous roar as they
take part in the melody before
Percussionist Nanny Assis creates this
intense/dramatic duel between him and
the drummers.
While Pete and the band members rise up,
up, and up before the guitar does a
little bit of feedback, Tony comes into
play through the strings and go around,
under, and in. The last few seconds come
to a dooming end from the synth and it
hits a “BLLAARP!” note. Their tribute to
Tony Williams with his cover of There
Comes a Time, Pete goes back into the
driver’s seat of the electric piano and
works out more of his magical moments to
give a nod up to Tony Williams up in
heaven.
I imagine there’s more walking alleyways
that Pete gives the band heading into
those halls for another adventure with a
bluesy twist. But it’s the guitar and
Tony’s bass sharing the same alleyway
near the last two minutes on the melody
share structure as it ends with him and
Pete closing shop. But it’s Way Down
Yonder where Pete brings everybody into
a circle.
Everyone gets ready to drive down into
the highway one last time to drive off
into the sunset as they are back in 1972
of Herbie Hancock's golden-era, but with
an interesting twist of the harmonica
and jaw harp style done by Rob
Paparozzi. Pete heads into the Organ and
plays some Blues/Soul style on the
instrument as if the recording was done
inside a church and laying down the
gospel.
Pasin meanwhile goes into a plunger
trumpet mode and bringing to mind of the
late ‘30s style of swing at the end. Not
only it’s a closing number, but it shows
that Pete and his teammates are having a
whole lot of fun. While as I’ve
mentioned this album was recorded in
only two days, Möbius is not only Pete
Levin’s finest, but he brings the entire
house down.
It is a well solid release that made my
ears go up of how much accomplishment
this is on as they jammed, relaxed, and
creating wonders to see what Pete Levin
will think of next. |
|
Music
From The Other Side Of The Room
Zachary Nathanson
Saturday, September 30, 2017 |
Pete Levin -
Möbius
Pete Levin has been around performing
and recording music along as a
sought-after musician by recording both
in the Jazz and Pop world from Paul
Simon, The Brubeck Brothers, Jaco
Pastorius, Charles Mingus, Annie Lennox,
Judy Collins, and the late great Miles
Davis. This year, he’s released his
ninth studio album entitled, Möbius. The
album was recorded live in the studio
for two days as Pete captures the spirit
and essence of Gil Evans.
Now I first became aware of Pete Levin
after he and his younger brother Tony
did the Levin Brothers album which was
released three years ago on the Lazy
Bones Recordings label and I was
completely blown away how much the two
brothers work well together not just as
band members, but as a family by working
one-on-one. Now with Möbius, Pete wrote
eight original compositions and there
are two covers which include one by
Thelonious Monk and Tony Williams.
Not only Pete and Tony Levin are on the
album, but it’s almost the who’s who
that are on the album. You have
guitarists Jeff Ciampa an Kal David
(John Mayall), drummers Lenny White
(Chick Corea) and Jerry Marotta (Peter
Gabriel, Hall & Oates, and Security
Project), Erik Lawrence on Baritone Sax,
Alex Foster on Tenor & Sorpano Sax, and
Chris Pasin on Trumpet to name a few.
What Pete does on here, is to take his
keyboards into unbelievable territories.
Levin’s music is like walking on a
different triangular section of the
Rubik’s cube and it’s almost a trip to
see where he, Tony and his band members
go into those various sections of the
doors that are ready to be opened with
six highlights on here that are enduring
and mind-blowing.
The opener, Promises begins with the
Electric Piano going into a stereophonic
mode going left and right then getting
into the styles of Herbie Hancock’s
Headhunters-era meets Steely Dan’s Aja-era.
The horn and sax section go into a
workout mode plus some funk-rock rhythm
guitars while Tony Levin channels a
different perspective of the riff on
Chameleon.
Pete then goes into the Rhodes city
laying down some improvisational sun
rising textures that makes it an
excellent piece to start things off.
Before the take of Monk’s I Mean You,
Pete wishes Thelonious a happy 100th
birthday and gives him his regard and
saying “Hi!” to Gil for him. There is
this walking dance mid-beat tempo
between the Clavinet and the Electric
Keyboard before the Horns and Guitar do
a melody that rises up and down.
Tony then walks fast as the sax’s do a
solo improvisation to give Monk the
appreciation he deserves. When you
listen to I’m Falling, at first you
think it sounds like a film score that
this almost a nod to the golden-era of
the 1970s Blaxploitation films as you
can imagine Richard “Shaft” Roundtree
walking into the next building and
following the crime scene for the next
batch of clues which he would consider
his last case before retiring.
But then, the mood changes into a
lukewarm evening for the sax going into
a pin-drop momentum as Pasin’s trumpet
sets the blare by giving a Miles-sque
surrounding in the nighttime sky before
dawn approaches. Then, the 10-minute
title track starts with the synth notes
going up and down the stairs.
Tony brings his upright bass and gives
Pete a helping hand. The Rhodes, Sax,
and Trumpet along with the guitars going
into some essence of Allan Holdsworth
and Richard Pinhas’ exercise.
Instruments do a thunderous roar as they
take part in the melody before
Percussionist Nanny Assis creates this
intense/dramatic duel between him and
the drummers.
While Pete and the band members rise up,
up, and up before the guitar does a
little bit of feedback, Tony comes into
play through the strings and go around,
under, and in. The last few seconds come
to a dooming end from the synth and it
hits a “BLLAARP!” note. Their tribute to
Tony Williams with his cover of There
Comes a Time, Pete goes back into the
driver’s seat of the electric piano and
works out more of his magical moments to
give a nod up to Tony Williams up in
heaven.
I imagine there’s more walking alleyways
that Pete gives the band heading into
those halls for another adventure with a
bluesy twist. But it’s the guitar and
Tony’s bass sharing the same alleyway
near the last two minutes on the melody
share structure as it ends with him and
Pete closing shop. But it’s Way Down
Yonder where Pete brings everybody into
a circle.
Everyone gets ready to drive down into
the highway one last time to drive off
into the sunset as they are back in 1972
of Herbie Hancock's golden-era, but with
an interesting twist of the harmonica
and jaw harp style done by Rob
Paparozzi. Pete heads into the Organ and
plays some Blues/Soul style on the
instrument as if the recording was done
inside a church and laying down the
gospel.
Pasin meanwhile goes into a plunger
trumpet mode and bringing to mind of the
late ‘30s style of swing at the end. Not
only it’s a closing number, but it shows
that Pete and his teammates are having a
whole lot of fun. While as I’ve
mentioned this album was recorded in
only two days, Möbius is not only Pete
Levin’s finest, but he brings the entire
house down.
It is a well solid release that made my
ears go up of how much accomplishment
this is on as they jammed, relaxed, and
creating wonders to see what Pete Levin
will think of next. |
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2010 |
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"Pushing the envelope of the classic organ trio" |
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pete levin -
organ
dave stryker - guitar
lenny white - drums
manolo badrena - percussion
special appearances by
joe beck - guitar
& danny gottlieb - drums |
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JUMP! news:
17 press reviews
for JUMP!
Rudy Lu did a nice review for Albany Jazz of our live gig at the
Rosendale Cafe last Saturday, along with great photos. (Rudy does
that!)
Jazz Times reviewer Bill DeMain
put Jump! #3 in his 2010 Top 10 list
Top 10 regional albums of 2010: Kingston, NY Freeman
#4 in CMJ Top 10 Jazz list 11/9/2010
#38 on the JazzWeek chart and climbing 12/14/10
#13 on WEMU Jazz 12/12/10
JUMP! is currently on radio playlists of |
WBGO NY, NY & Newark, NJ
KCRW Los Angeles, CA
KXJZ Sacramento, CA
KUOP Stockton, CA
KSDS Jazz 88.3 San Diego, CA
KFCF Jazz 88.1 Fresno, CA
WXRT Chicago
WDCB Chicago
WFDU Teaneck, NJ
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WFIT FM Melbourne, Fl
MOJA Radio mojaradio.com
WEMU Ypsilanti, MI
WNMC Traverse City, MI
KIOS Omaha, NE
KGNU Denver, CO
WDET Detroit, MI
WGBH Boston, MA
WKZE Red Hook, NY
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Public Radio International: Jim Wilke's "Jazz
After Hours" |
101.5 Radio Adelaide: Peter Kuller's "Jazz from
Down Under" |
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JUMP! on youtube |
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5-minute sampler
(still announced as "coming in September" ... sorry)
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